Hague: International Conference on Artistic Research: Writing

28th of April 2016 – International Conference on Artistic Research: Writing

The Hague

Keynote: Redell Olsen

  ‘A Column of Air: Flickers/Writing/Painting’

     28 April 2016, 14.15 till 15.00 — Royal Academy of Art

In 1967 Art and Language designated a column of air ‘art.’ The place of writing as and in place of painting seemed assured. When you begin to look away from seeing and reading the dematerialised art work, there emerges a new possibility, a poetics of flickers. In 2016 this column of written air flickers with art forms very different from the art critical language associated with conceptual art. What does this flickering reveal? Poetics and the visual arts flicker with glimpses of this not not-conceptual-art, and not not-writing­-as art. My performance/lecture will explore how writing might engage with a flickering ekphrastic turn to landscape painting and its spin-offs. Timothy Morton questions whether ‘Nature’ was ever really there as more than a flickering ghost. I will nevertheless resist the double bind associated with simplistic definitions of ekphrasis, undoing the binary logic of writing as a half-glimpsed phantom of another ‘proper’ subject. The possibility of the filmic will be registered across the boundaries between the documentary, the poetic, and the visual-as-writing. Tracing this exploration through existing works and images, this lecture/performance hopes to enact a writing of paintings for paintings and an aesthetics of art that flickers in writing.

http://www.sarconference2016.net/rc/index.html#archive

Video of Paper here

Poetry Reading

Globe electrical machines 1760-70

Peter Gizzi
Redell Olsen

Judith E. Wilson Drama Studio

8pm Monday 9th November 2015

Please join us in welcoming Judith E. Wilson Poetry Fellow Peter
Gizzi, who will be reading with past fellow Redell Olsen

http://redellolsen.co.uk/

http://www.petergizzi.org/

Free entry and refreshments

Venue

Judith E Wilson Drama Studio
The Faculty of English, 9 West Road
Cambridge, Cambridgeshire CB3 9DP United Kingdom + Google Map
 

Phonographies 30. 08. 13

Live performance with film and recordings on wax cylinders.

30 August 2013 in Brighton, UK at the Nightingale Theatre.

Video documentation of the event at filmpoems

With thanks to Aleksander Kolkowski, Katy Price and Drew Milne.

 

Phono-Poetry Event:

Phono-Poetry

Live event on 30 August 2013 in Brighton, UK at the Nightingale Theatre…

Featuring Redell Olsen, Holly Pester and Jeff Hilson – plus some other phonographic treats, including poems from the Mass Observation Archive and Aleksander Kolkowski whose archive Phonographies includes many contemporary musicians and sound artists, all recorded on wax cylinder to haunting effect.

Wax cylinders, digital recordings and more available here: !

Recording of event here…

beside an electric train, a tray of coal…

Nina Power & Redell Olsen

Beside an electric train, a tray of coal and Dawood’s ‘New Dream Machine Project’ in the winter pavilion, join us at Parasol Unit for Intercapillary Places:

TALK / LAUNCH

Programme

Nina Power:
A talk on the philosophy and control of public space

Redell Olsen:
London launch of ‘Punk Faun: a bar rock pastel’ (Subpress, 2012)

Parasol Unit, 14 Wharf Road, N1 7RW
Thurs 13th Dec / Drinks from 6.30pm, event begins at 7.00pm
Arrive early from 5pm onwards to view the retrospective of work by Jannis Kounellis as well as Shezad Dawood’s ‘New Dream Machine Project’ in the winter pavilion

Tickets: £5/£4 conc – Free wine

Biographical Notes

Nina Power is a senior lecturer in philosophy at Roehampton University and is the author of ‘One-Dimensional Woman’ (Zer0 Books, 2009).

Redell Olsen’s recent projects include films and texts for performance: ‘Bucolic Picnic (or, Toile de Jouy Camouflage)’ (2009), ‘Newe Booke of Copies’ (2009-10), ‘SPRIGS and Spots’ (2011-12) and the site-specific collaboration for film and performance “Lost Pool” (2010). Her previous publications include ‘Book of the Fur’ (rem press, 2000) and ‘Secure Portable Space’ (Reality Street, 2004). ‘Punk Faun: a bar rock pastel’ (2012) is just out from Subpress. She is a Reader in Poetic Practice at Royal Holloway, University of London. For more see: http://redellolsen.co.uk/

Jannis Kounellis was part of the Arte Povera movement in Italy that emerged during the 1960s. On show at Parasol Unit will be works such as Untitled (Carboniera), 1967; Untitled (steel plate and braid),1969, on loan from Centre George Pompidou, Musée national d’art; Metamorphosis, 1984, and Untitled, 1977, an electric train moving on steel plates installed around one of the pillars of the gallery.

Tickets can be booked through Parasol Unit by phone, email or online through Paypal –
To book your ticket please contact Lucy Britton on lucy@parasol-unit.org / 020 7490 7373 ext. 20

Please book ahead as spaces in the gallery can fill up

“how to remember for to you…” performed as part of bodies of memory at Tate Britain…

For documention of “How to Remember For To You..” performed as part of the ‘Bodies of Memory’ event directed by Fiona Templeton on October 5th 2012 see Here.

Tate Britain, October 5, 2012

Bodies of Memory image

  At Late at Tate on October 5th 2012, artists’ group New Work Network presents Acts of Legacy, a series of performances, films and debates exploring the influence and memory of experimental and ephemeral art practices from the late 60s to the present day. Hosted by Richard Layzell and Hunt & Darton, the evening includes work by Fiona Templeton, Jordan McKenzie, Aaron Williamson, Barby Asante, Ellie Harrison and The Saturday Arts Club.  The evening runs from 6:30pm to 10:00pm.      
 Performance burns up in its very performing, and is gone. Chronicles of performance may reflect only the periods of its fashionability.  But in our memories it is burned in and can be brought to new life.  For Fiona Templeton’s Bodies of Memory, Tate Britain will be inhabited by a collective memory of many past performances, performed and spoken in passing fragments, rising and disappearing like memory itself. Participants include performers, artists, writers, curators, and people who have watched something being done.  Currently to include:Heather Ackroyd, Gina Birch, David Gale, Helena Goldwater, Dave Goulding, Anthony Howell, Yoko Ishiguro, Glenys Johnson, Lois Keidan, Joe Kelleher, Kristen Kreider, Paulina Lara, Claire MacDonald, Angeliki Margeti, Brigid McLeer, Kate Meynell, Hannah Millest, Lucy Neal, Redell Olsen, Miranda Payne, Lorena Peña, Donna Rutherford, Graeme Shaw, Steve Slater, Gary Stevens, Minna Stevens, Peter Stickland, Fiona Templeton, Howard Tong, Amikam Toren, Caroline Wilkinson, Simon Vincenzi, Sylvia Ziranek .  Fiona Templeton works in the relationship between performance and audience; language as a material; and space as both the large-scale and the intimate. She was a founding member of The Theatre of Mistakes in the 70s, and is director of the New York-London performance group The Relationship.  www.therelationship.org

New Work Network has coordinated the evening, growing out of a series of 5 short films made in conjunction with Artquest, of dialogues between artists of different generations, including Fiona Templeton in conversation with Yoko Ishiguro.  The films will be shown during the evening.Late at Tate is a series of open evenings of events on the first Friday of each month, at Tate Britain, Millbank, London SW1P 4RG.  Entry is free. There will be a pay bar, and visitors may also see current exhibitions including the Turner Prize and the Pre-Raphaelites.  Note that the main entrance is closed for renovation and access is through The Manton entrance on Atterbury Street.http://www.tate.org.uk/visit/tate-britain