Tag Archives: redell olsen

Open Studio

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Redell Olsen, Diapause, Collage, Mixed Media, 2020.

Residencies & Projects

Redell Olsen, Weather, Whether Radar: Plume of the Volants

3 November – 7 November 2021

10:00 – 17:00

Free, No Booking Required

The DARE Art Prize presents Redell Olsen‘s new body of work, Weather, Whether Radar: Plume of the Volants at The Tetley. Join us to view Olsen’s visual, text-based and audio-visual work in her open studio.

Weather, Whether Radar: Plume of the Volants engages with the work of BioDAR researchers at the University of Leeds. These scientists are using weather radar to monitor insect biodiversity. With its origins in World War Two, radar is often used to determine information about the weather. The plumes of insects that sometimes show up in this data, most famously on days such as flying ant day, have often been dismissed as just being ‘noise’.

Through a consideration of objects from the National Science and Media Museum in Bradford and related archives, this body of work tracks and imagines a range of poetic, narrative, historical and cultural noises at the fragile intersections of radar, insects, weather, objects, people, music and film.

The works have involved dialogue with the BioDAR scientists and incorporate materials from their research, alongside additional sources from vintage natural history and fashion magazines. Virginia Woolf’s essay, ‘The Death of The Moth’ and George Frederic Handel’s pastoral opera, Acis and Galatea inform the lyrics of an imagined inter-species opera, extracts of which are performed in collaboration with the Chorus of Opera North and bass-baritone Matthew Stiff, as a response to the current climate crisis and environmental degradation.

In Conversation with Redell Olsen and Dominic Gray, Projects Director, Opera North Saturday 6 November, 14:00, City Workshop (Book in advance).

https://www.thetetley.org/whats-on/open-studio-redell-olsen-weather-whether-radar-plume-of-the-volants

Reading: Salon – London

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Friday 3 November 2017, 7pm-9pm
The Parasol Unit Foundation for Contemporary Art, 14 Wharf Road, London, N1 7RW

Redell Olsen in conversation with Carolyn Pedwell

S A L O N – LONDON, a site for reading and responding to the present through women’s experimental writing, is pleased to announce its launch event, featuring Redell Olsen, who will be reading from two recent works, ‘Woolf / Apelles’ and ‘Atomic Guildswomen’, followed by conversation with Carolyn Pedwell.

Redell Olsen’s poetic practice comprises poetry as well as texts for performance, film and installation. Her publications include Film Poems (Les Figues, 2014), ‘Punk Faun: a bar rock pastel’ (Subpress, 2012), ‘Secure Portable Space’ (Reality Street, 2004), ‘Book of the Fur’ (rem press 2000), and, in collaboration with the bookartist Susan Johanknecht, ‘Here Are My Instructions’ (Gefn, 2004). Her work is included in Infinite Difference: Other Poetries by UK Women Poets (Shearsman, 2010), I’ll Drown My Book: ‘Conceptual Writing

by Women’ (Les Figues Press, 2011) and Out of Everywhere 2: Linguistically Innovative Poetry by Women in North America & the UK (Reality Street Press, 2016). In 2017 she published two bookworks Smock and Mox Nox. She has also published a number of critical articles on contemporary poetry and the relationship between contemporary poetics and the visual arts. In 2002 she set up the influential MA in Poetic Practice at Royal Holloway which she still runs as part of the MA in Creative Writing. From 2006 – 2010 she was the editor of How2, the international online journal for Modernist and contemporary writing by women. In 2013-14 she was the visiting Judith E. Wilson fellow at the University of Cambridge. In 2016-17, in association with other members of staff from English and Modern Languages at Royal Holloway, she led the HARC funded project ‘Nature and Other Forms of That Matter’. She is Director of the Poetics Research Centre at Royal Holloway. redellolsen.co.uk

Carolyn Pedwell is Associate Professor in Cultural Studies at the University of Kent, where she is Head of Cultural Studies and Media. Carolyn has been Visiting Fellow at the Department of Gender and Cultural Studies, University of Sydney; the Centre for the History of Emotions, Queen Mary University of London; and the Gender Institute, London School of Economics. She is the author of Affective Relations: The Transnational Politics of Empathy (Palgrave, 2014) and Feminism, Culture and Embodied Practice (Routledge, 2010). Her new book, Transforming Habit: Revolution, Routine and Social Change, is under contract with McGill-Queen’s University Press. Carolyn is also an Editor of Feminist Theory journal.

S A L O N – LONDON is organized by Georgina Colby and Susan Rudy. The launch of S A L O N – LONDON has been funded by the Institute of Modern and Contemporary Culture at the University of Westminster, the Centre for Poetry, Queen Mary University of London, and the School of English and Drama, Queen Mary University of London.

Please register here: Eventbrite

Poetry Reading: Runnymede Festival

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FRIDAY, 10 March
 
Poetry Reading
 
  Drew Milne, Jeff Hilson, Redell Olsen

Drew Milne was educated in Edinburgh and Cambridge. He has previously taught at the universities of Edinburgh and Sussex and since 1997 he has been the Judith E Wilson Lecture in Drama and Poetry, Faculty of English, University of Cambrige. In 1995 he was poet in residence at the Tate Gallery, London. His books of poems include: Sheet Mettle (London: Alfred David Editions, 1994), Bench Marks (London: Alfred David Editions, 1998), The Damage: new and selected poems (Cambridge: Salt, 2001), Mars Disarmed (Barrington, M.A.: The Figures, 2002), Go Figure (Cambridge: Salt, 2003).

Jeff Hilson has been a prominent figure in London poetry since the 1980s. His publications includestretchers (Reality Street, 2006), Bird Bird (Landfill, 2009) and In the Assarts (Veer, 2010). He editedThe Reality Street Book of Sonnets (Reality Street, 2008) and runs the reading series Xing the Line. He teaches at the University of Roehampton.

Redell Olsen is a poet and visual artist whose work includes performance, writing and installed texts. Her recent publications include Secure Portable Space (Reality Street, 2004), Punk Faun (Subpress Books, 2012) and Film Poems (Les Figues, 2014). She was, for many years, the editor of the influential online journal HOW2 (How2journal.com), which promotes modernist and contemporary innovative poetry by women. She was Judith E. Wilson Fellow at Cambridge for 2013-14, and she is Professor of Poetry and Poetics at Royal Holloway.

7.00-8.45     11 Bedford Square, London WC1

Runnymede Festival 
curated by Robert Hampson
All Welcome

Minimalism: LOCATION ASPECT MOMENT October 14-15 2016

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Keynote performance lecture – Professor Redell Olsen 

I See/You Mean: The Minimalist Roman[ce]

Taking as its starting point the post-Minimalist nouveau roman, ‘I See/You Mean’ by Lucy Lippard this lecture will explore Minimalism in the visual arts and writing. It will consider aspects of critical discourse on Minimalism as itself encoding forms of romance and propose a counter series of poetic interventions by way of response.

Redell Olsen is a poet and text based artist whose visual work involves live performance with stills or moving image. Film Poems (Les Figues, 2014) collects the texts for her films and performances from 2007–2012. Her previous books include: ‘Punk Faun: a bar rock pastel’ (Subpress, 2012), ‘Secure Portable Space’ (Reality Street, 2004), ‘Book of the Fur’ (rem press 2000), and, in collaboration with the bookartist Susan Johanknecht, ‘Here Are My Instructions’ (Gefn, 2004). From 2006-2010 she was the editor of How2, the international online journal for Modernist and contemporary writing by women. In 2013-14 she was the Judith E. Wilson visiting fellow in poetry at the University of Cambridge. She is currently Professor of Poetry and Poetics at Royal Holloway, University of London. redellolsen.co.uk

THE PHOTOS

Frank O’Hara Symposium at the ICA – 24th July 2016

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Absract of Keynote Paper:

Frank O’Hara’s Poetics of Art Writing: ‘On Looking’ to the ‘Crowning of the Poet’ Redell Olsen

Grace Hartigan ‘Crowning of the Poet’ (1985)

Grace Hartigan ‘Crowning of the Poet’ (1985)

Frank O’Hara’s writing on art is diverse and crosses multiple genres from criticism, poetry to collaborative and visual works. In addition to critical writings on artists he often wrote poems on paintings, dedicated his poems to painters and made reference in his own poems to particular paintings from a range of art historical periods that included his own. In its diversity O’Hara’s art writing contributed to the conditions of mutual influence that emerged between the poets and writers who were his contemporaries. Grace Hartigan’s painting the ‘Crowning of the Poet’ (1985) demonstrates the ongoing effect of the poet on the artist nearly twenty years after O’Hara’s death. This talk will examine a number of paintings and works of art that relate in very different ways to O’Hara’s poems and explore the ways in which these paintings, when read in conjunction with O’Hara’s writings, might help us to re-imagine and to rethink the traditional modes used to describe the constellated and inter-related practices of poetry and painting.

Programme

See a Video of the Paper Here (Olsen at 4:09)

Contemporary Poetry: Thinking and Feeling, University of Plymouth, 2Oth -22nd May 2016

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Abstract Keynote: Redell Olsen

‘Proposals For Landscapes: and other mutual antipathies’
This talk will offer a series of proposals For landscapes, a recalibration of the optics for a poetics of the conceptual. This reading will explore these possibilities across multiple registers of the material and linguistic possibilities of felt-thought. It will assert a space for itself between the symptomatic dismissal by the visual arts of poetry as ‘literary costume’ and the more recent neglectful mis-readings of conceptual art by writing at the expense of the conceptual histories of the lyric genre.

Programme Here

Hague: International Conference on Artistic Research: Writing

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28th of April 2016 – International Conference on Artistic Research: Writing

The Hague

Keynote: Redell Olsen

  ‘A Column of Air: Flickers/Writing/Painting’

     28 April 2016, 14.15 till 15.00 — Royal Academy of Art

In 1967 Art and Language designated a column of air ‘art.’ The place of writing as and in place of painting seemed assured. When you begin to look away from seeing and reading the dematerialised art work, there emerges a new possibility, a poetics of flickers. In 2016 this column of written air flickers with art forms very different from the art critical language associated with conceptual art. What does this flickering reveal? Poetics and the visual arts flicker with glimpses of this not not-conceptual-art, and not not-writing­-as art. My performance/lecture will explore how writing might engage with a flickering ekphrastic turn to landscape painting and its spin-offs. Timothy Morton questions whether ‘Nature’ was ever really there as more than a flickering ghost. I will nevertheless resist the double bind associated with simplistic definitions of ekphrasis, undoing the binary logic of writing as a half-glimpsed phantom of another ‘proper’ subject. The possibility of the filmic will be registered across the boundaries between the documentary, the poetic, and the visual-as-writing. Tracing this exploration through existing works and images, this lecture/performance hopes to enact a writing of paintings for paintings and an aesthetics of art that flickers in writing.

http://www.sarconference2016.net/rc/index.html#archive

Video of Paper here